Fifteen years have passed, and the four actors once known as the “Four Beauties of Tianya” have each taken very different paths, reflecting the harsh realities of the time and the ever-changing entertainment industry.
Over a decade ago, the term “Tianya Four Beauties” dominated Asian online forums, referring to four iconic historical drama heartthrobs: Wallace Chung, Qiao Zhenyu, Yan Yikuan (Yan Kuan), and Wallace Huo.
They represented the gold standard of costume drama, with appearances so impeccable that they were often compared to characters straight out of video games. Yet, 15 years later, their fame is no longer uniform among them, as each has experienced distinct highs and lows.
Among them, Qiao Zhenyu is often cited as a model of consistency and quiet perseverance. He made an indelible mark with his role as Ouyang Mingri in Snowflower, captivating audiences with his refined jade-like elegance. Although he was initially a secondary character, his presence surpassed even the protagonists.
In the years that followed, Qiao steadily built his career through various wuxia adaptations, demonstrating his acting skills beyond just appearance. Rather than constantly chasing the spotlight, he chose a more reserved path, even taking on supporting roles to bolster his performances. His recent return in Legend of Zang Hai surprised viewers, proving that he never truly left, he simply took a slower and steady approach.
In contrast, Wallace Huo has undergone a remarkable transformation in image. Once known for his aloof and almost untouchable characters such as Bai Zihua in Journey of the Flower or Xu Changqing in Chinese Paladin 3, he was synonymous with cold and understated charisma.
In recent years, however, he has moved away from that mold, taking on more down-to-earth and even comedic roles. In Why Is He Still Single?, his portrayal of a witty, sharp-tongued man dealing with everyday situations gave audiences a refreshing new perspective. This change has helped him maintain his appeal, as viewers now see a more relatable and authentic side of him.
Yan Yikuan’s journey, on the other hand, stands out as a remarkable comeback story. Once considered the most visually perfect of the four, he went through a long period of relative obscurity despite constant work. His return in Pursuit of Jade changed everything.
Now, in his middle age, he has moved away from purely “handsome leading man” roles, embracing more complex characters with authority and depth. His mature acting, combining calm and underlying intensity, has earned him renewed praise and is often described as a dramatic breakthrough after years of silence.
Meanwhile, Wallace Chung has become the most debated figure of the group. Long lauded as an “ageless male god” following the success of My Sunshine, he has maintained a romantic leading man image for years. However, now in his 50s, continuing to play young CEO roles in romantic dramas has sparked discussion.
In The Epoch of Miyu, while her acting skills and demeanor remain solid, close-up shots reveal visible changes that make the character less convincing to some viewers. Critics argue that the problem is not his age, but rather the discrepancy between his roles and his current life stage, which creates a notable disconnect.
Looking back at the 15-year journey of the “Four Beauties of Tianya”, it becomes clear that although their artwork once took them to the top, it is not what sustains longevity. Those who have adapted, evolved their image, or focused on deeper acting have carved out their own space. Conversely, holding on to images of the past as time moves forward can create distance from the audience.
Despite their different paths, there is no denying that they remain an unforgettable part of C-drama history. The roles that defined their careers still remain a lasting reminder of a time when the beauty of historical drama reached its peak.
Sources: Saostar
