On March 18, Garo Sero Institute continued his live streaming for the controversy that surrounds Kim Soo-Hyun and Kim Sae-Sign. The title of the transmission alone was sufficient to send shock waves through the public, “Exclusive shocking: the video of appointments at Kim Soo-Hyun and Kim Sae-So-Se-See has been released.”
This announcement immediately aroused the debate, as it directly contradicted the previous declaration of the gold medal, which firmly denied any connection between the two actors, “Kim Soo-Hyun has never been to Kim Sae-Se-Se-See, not even once.”
As has been accumulated, many spectators have tuned up, expecting undeniable evidence to challenge the statements of the gold medal. However, what followed was not only a questionable attempt to demonstrate their fiction, but also a clear exploitation of the deceased for opinions.
Public outrage for the tactics of Garo Sero
Shortly after the transmission of live streaming, a large wave of repercussions broke out on social media. Many condemned the decision of the Garo Sero Institute to publicly release private videos of someone who had died, accusing them of shamelessly escaping the name of Kim Sae-Sore for the commitment and advertising.
Not only was Garo Sero under fire, but Kim Sae-S’s family also had to face serious criticisms. While their intention could have been to restore his honor, many believed that by repeating his private moments, in particular those he had kept hidden during his life, they were just adding fuel to the controversy rather than putting him at rest.
The public reaction was extraordinarily negative:
- “This is beyond scandalous. The girl died. What’s wrong with this family, allowing people to free sensitive videos of her daughter?”
- “Garo Sero is not fighting for justice, they are just using a shock value to pay attention.”
- “Taking advantage of his image in this way is absolutely disgusting.”
- “This institute has no respect for women, not to mention the deceased.”
Despite the statements of the institute to expose the truth, their tactics only fueled the growing perception that were sensationalizing the case for clicks rather than shedding light on real issues.
Although the title of the Livestream suggested a great revelation, the real video was unable to provide substantial evidence and instead it seemed to be a carefully modified attempt to mislead the spectators.
Instead of explicit evidence, the video consisted of vague and ambiguous moments strategically used as a clickbait. In the video, the person saying was Kim Soo-Hyun has never revealed his face. The only visible interaction showed a man who gently rubbed Kim Sae-Se-Se-Se-Sae, apparently helping her with sobs. Later, he continued to watch the TV before turning to smile and chat with his alleged boy.
Rather than presenting harmful evidence, the clip seemed far from scandalous, strengthening the idea that Garo Sero was simply capitalizing on the situation rather than discovering real facts.
By adding to the dispute, the Netizen quickly dispelled the temporal sequence of the video, showing that Kim Sae-Sign was already in the legal age when it was recorded.
At the beginning of the clip, Jennie’s successful song “Alone” It can be heard in the background. The song was published on November 12, 2018, when Kim Sae-Ron had already turned 18. This detail confirmed that the video was shot after that date and the apartment shown in the video was the one provided by the gold medal after signing with the company in 2019.
This revelation has completely undermined the narrative of Garo Sero, exposing how the facts and videos collected for cherry have twisted to adapt to their plot. Many felt that this was a deliberate and non -ethical move designed to prolong the drama and attract more attention.
The name of Kim Sae-Sign continues to be dragged into disputes
Although new videos have emerged, it seems that Kim Sae-Sra will never really find peace, since his name remains entangled in infinite disputes.
What was initially framed as a revolutionary exposure has proved to be nothing more than a manipulative acrobatics, showing further how hunger for the media for clicks can reach the cost of basic human decency. Instead of resolving the situation, Garo Sero’s live streaming has only intensified the frustration of the public, deepening the ethical concerns that surround the exploitation of the deceased actress.
In the end, what should have been a moment of memory and closure for Kim Sae-Sign has instead become an endless media show, which refuses to let it rest in peace.
