In the golden age of the complex and enhanced female protagonists in K dramas, some characters still end up losing their mark so much that the spectators question their same purpose in history. These five women have been criticized to be insipid, irrelevant or emotionally not very convincing, sometimes even dragging the rhythm of otherwise engaging dramas.
1. Shin Hyun-Bin in rich reduced
Despite Richer Becoming one of the greatest shots of the end of 2022, the role of Shin Hyun-Bin as the main prosecutor has not impressed. The spectators joked that every time it appeared, the plot seemed to lose momentum, while supporting roles like Tiffany Young and the Chaebol family members stole the spotlight.
2. IM Yoon Ah in K2
IM Yoon Yoon Ah the power of the stars could not save his role as Anna in K2A sheltered daughter of a politician. In a story full of high -level actions and political intrigues, Anna seemed out of place. Meanwhile, the Song Yoon-Ah commander as a bad stepmother dominated the screen.
3. Kim Min Jung in Man to man
In this comedy of action, Kim Min Jung played the manager of a better celebrity and the love interest of the character of Park Hae-Jin. His scenes seemed mandatory rather than essential, and romance was missing from the spark to leave the impression.
4. Nam Sang-Mi in Chief kim
While Chief kim He was praised for his humor and the magnetic performance of Namgoong Min, the role of Nam Sang-Mi has decreased. Many spectators have noticed that she has not managed to arouse any tension or leave a memorable moment, merging into the background of a lively and dynamic ensemble.
5. Lim ji year in The Royal Gambler
Long before his breakout GloryThe role of Lim Ji Yeon in The Royal Gambler He was considered ineffective. Despite its melancholy visual elements, critics described its performance as unidimensional, especially in the scenes that required an emotional depth.
These characters show that even with big names or strong setups, a scarcely written or underutilized female guide can leave the audience frustrated, which detaching us that the presence of the screen does not only concern the casting, but the compelling narrative.
