On February 25, G-Dragon left his third album in the solo studio, “übermensch”, his first as “Etat Coup” in 2013. The album is made up of eight songs, including the track of the Bad Bad title (feat. Anderson .paak), together with singles previously published and Home Sweet Home, as well as new songs, as well as the drama, as well as the drama, Ibelongiu, Bonamana, and Gyro-like.
A carefree return or a disappointment?
Of these, shame has aroused the most mixed reactions. A hip-hop groovy and infusing funk track, her captivating choir: “Girl! Too bad for me / here you are! Toot that! / As for me? All I want is at hand / break me! Passionately, “he attracted both praise and criticism. Fans who expected a high energy and grandiose production after a ten -year wait could find the surprisingly carefree song.
The album as a whole is more inclined towards playful and ease rather than deep and heavy themes. While the drama offers a little emotional depth, the general atmosphere is ventilated and effortlessly. Instead of forcing an exaggerated and high energy performance to compensate for its long pause, G-dragon seems to have embraced his current artistic sensitivity.
Controversial texts: provocative or obsolete?
However, his texts have aroused debate on their suggestive nature. Sin lines: “Keep your hands gently, applause, cheek cheek” / “Half eyes, G’azm Rising” / “Mbti is sexy type, so be sexy” have been criticized as provocative and obsolete. Other traces have designed similar reactions: Bonamana includes lines such as “having fun without your man who knows” / “put at the top, rubbing me, pushing me strong, screaming girl”, while Ibelongiiu presents texts such as “a bed, two lovers, cardiac sagouptering, breathtaking sagoette” / “” the day or the night, also matters? “
At 36 years old (born in 1988), G-Dragon is not writing inappropriate texts for his age. While the suggestiveness of his words is understandable, some claim that he feels obsolete. Given his long-standing preference for double pretending in the Hip-Hop texts, what once would have been considered an intelligent word game now risks looking like a “dad joke” for younger listeners. But does this mean that the game of the hip-hop signature is obsolete?
Perhaps the listeners of Gen Z are not familiar with the style of G-Dragon or those whose expectations were high are fast in judging his texts as “old style” simply because they do not align with their personal tastes. Some have even accused him of being “frozen in time”, as if he were still blocked in the early 2000s. However, this album remains unmistakably G-dragon. While the melodies and moods have evolved to reflect his sensitivity of 2025, his signing lyrical imprint remains unchanged.
G-dragon’s adamable legacy
Regardless of criticism, G-Dragon has again demonstrated his status as “living legend”. Too bad it has risen to number 1 in real -time musical charts such as melon, genie, bugs and atmosphere within a few hours of release. By February 25, the track had passed the daily rankings of Melon and Bugs and any other song on Ubermensch was ranked up on real and daily graphic graphics. The album also debuted at n. 1 In the ranking of albums all over the world of iTunes and n. 7 In the ranking of albums all over the world of Apple Music. In the YouTube trend list, shame reached n. 2, while the drama has reached n. 3.
Sales data further cemented G-Dragon’s domain. On the ranking of Hanteo, Ubermensch exceeded 620,000 copies on his first day, landing at n. 1 in the daily album ranking. In the meantime, the music sin has accumulated 5.5 million views in just 24 hours, with the drama that has reached 3.7 million. Within three days, pity that 10 million views approach, showing that, I love it or I hate it, the impact of G-Dragon remains undeniable.
