“Real” climbs to n. 4 On Netflix Korea while the controversy on the nude scene of Suli Renit

“Real” climbs to n. 4 On Netflix Korea while the controversy on the nude scene of Suli Renit

The 2017 film “Real” He is making an unexpected return, this time on Netflix’s Korea, where he went up to n. 4 In the 10 films of the platform in South Korea, today to March 30th. The sudden spike in spectators follows a wave of renewed disputes surrounding the main actor Kim Soo-Hyun, in particular as regards the accusations connected to the deceased Sulli.

According to Netflix, the first 5 most followed films in Korea currently include:

  1. Revelations
  2. The electrical status
  3. Lim Young Woong: I’m Hero The Stadium
  4. True
  5. Me, the executioner

“Real,” who played Kim Soo-Hyun in double role and was directed by his cousin Lee Ro-Bae, he was a 2017 box office flop widely criticized for his confused narrative. However, the film has recently renewed between renewed disputes involving Kim Soo-Hyun’s private life.

Yesterday!

The most serious statements come from Suli’s older brother, who said that he was forced to turn naked scenes on the script, despite the reported availability of a double of the body. These accusations, combined with continuous control on Kim’s alleged juvenile relationship with the deceased Kim Sae-S, have intensified the public backlash.

Suzy iu sohee dasomm and more in kim soo hyun-real

Adding to speculation, the Garo Sero Institute underlined the short cameo of the film from the best female idols such as Suzy, Iu and Ahn So-Hee, raising concerns about the fact that their roles were professionally appropriate or guided by personal bonds with the actor.

While “Real” was a commercial disaster during its theatrical release, he is now enjoying the new visibility on Netflix, probably led less by the interest in the contents of the film and more by the public charm for the scandal that surrounds him. While Kim Soo-Hyun faces an increase in public control, “Real”Scalar the streaming rankings serves as a reminder that in the digital era, disputes can bring content to the top, even for all the wrong reasons.

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