Min Hee-jin faces a chain of lawsuits in 2025: employee lawsuits, plagiarism accusations and HYBE accusations

Min Hee-jin faces a chain of lawsuits in 2025: employee lawsuits, plagiarism accusations and HYBE accusations

In 2024, the biggest buzzword in the entertainment industry was undoubtedly Min Hee-jin. ADOR’s former CEO has publicly criticized HYBE, its parent company, greatly influencing what many see as NewJeans’ “declaration of independence.” Over the past year, conflicts between HYBE, ADOR, Min Hee-jin and NewJeans have escalated into an unprecedented contract dispute in the entertainment industry.

If 2024 was the prelude to a battle, 2025 marks the beginning of war, with lawsuits taking center stage.

Lawsuit from a former ADOR employee

On January 6, a former ADOR employee, identified as A, failed to attend a mediation session in the defamation lawsuit against Min Hee-jin, which is seeking 100 million won in compensation. With the mediation failing, tensions between Min Hee-jin and A are expected to deepen.

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A claims that during their time at ADOR, they were sexually harassed by B, a former deputy CEO of ADOR and Min Hee-jin’s “right-hand man”, and that Min Hee-jin not only covered up the incident but it also supported B, dealing secondary damage.

Who is B? B is a central figure in the controversy surrounding HYBE’s allegations of “Min Hee-jin’s plan to take control of ADOR”. A former member of HYBE’s accounting team, B joined ADOR and worked closely with Min Hee-jin on management decisions. According to a HYBE audit, B drafted a controversial memo advising Min Hee-jin to “turn ADOR into an empty shell and push HYBE to sell it,” which Min Hee-jin allegedly received.

A’s decision to skip the mediation session reportedly stems from Min Hee-jin’s refusal to apologize. A had previously stated that they would accept a settlement if Min Hee-jin admitted wrongdoing and apologized. However, A’s legal representatives expressed doubts about reaching an agreement, citing Min Hee-jin’s uncooperative response in her documentation.

Since mediation failed, the case will now move to trial.

Just five days later, on January 10, Min Hee-jin will face yet another legal battle, this time involving the plagiarism controversy surrounding ILLIT. Last year, Source Music filed a 500 million won damages lawsuit against Min Hee-jin, while ILLIT agency Belift Lab filed a 2 billion won lawsuit, claiming that Min Hee-jin had plagiarized their ideas for his projects. The Jan. 10 hearing will address the $2.5 billion in combined claims from Source Music and Belift Lab.

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In response, Min Hee-jin took a more aggressive stance, filing a countersuit against Belift Lab for 5 billion won in damages, double the amount sought, and accusing Belift Lab executives of defamation under the Information and Communications Act Network Act.

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Accusations of HYBE of attempting to seize ADOR

Min Hee-jin will also continue to fight HYBE’s accusations of “plotting to take control of ADOR.” In April 2024, HYBE accused Min Hee-jin of breach of duty, alleging that she attempted to seize ADOR’s management rights. After an eight-hour police interrogation, Min Hee-jin dismissed the allegations as “a ridiculous comedy.”

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HYBE’s accusation is rooted in A’s claims regarding B’s memo, which reportedly contained detailed plans to pressure HYBE to sell ADOR shares. HYBE presented text messages between Min Hee-jin and B discussing these plans, which they say constitute a breach of duty. Min Hee-jin, however, argued that the messages were casual conversations and that the memo was simply a personal note.

The outcome of the police investigation into Min Hee-jin’s alleged breach of duty will have significant implications for the ongoing shareholder lawsuit between HYBE and Min Hee-jin. It also connects to the broader power struggle over ADOR shares and the sizable financial stakes involved.

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This investigation will also influence public perception of the NewJeans, who broke away from the ADOR. Min Hee-jin and NewJeans are seen as a single entity, sharing a collective destiny. Is NewJeans’ current trajectory a courageous stand against corporate power, or is it a reckless disregard for legal principles?

The future of NewJeans largely depends on Min Hee-jin’s success or failure in these legal battles.

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