A trendy post on the Korean forum Theqooentitled “Netizen abroad react to Korean comments saying that K-pop is already decreasing abroad”, it became viral, generating beyond 64,000 views and unleashing a discussion on through cultures.
Korean and global fans question the 5th generation idol era
The post is connected to AA row entitled “When do you think K-Pop will die?,” A collection of the criticisms and concerns of the Netizen Koreans on the current K-Pop trajectory. Many have indicated to generational movement within the sector, describing 5th generation idols As “silver-spoon” artists who are not hungry, the skill and authenticity that once defined the gold era of K-pop.
According to the summary shared by the OP, many comments indicate a generational change, with 5th generation idols described as “Silver-Spoon” Performer, privileged and without the ability or passion that once called k-pop. The criticisms included that many current idols come from wealthy families, fear live singing and are based heavily on the management labels. Excessive use of plastic surgery and the lack of artistic inputs have also been mentioned as reasons for the interest in falling.
The Netizen have also noticed that on the contrary, Western artists, especially in the United States, the largest musical market in the world, often write and produce their songs, incorporating their personal messages into their music. This sense of authenticity have supported, is increasingly lacking in k-pop.
Global effort and spectators’ effort: because fans say that K-Pop needs a reinvention
It is interesting to note that fans of the South -East Asia were also mentioned, with Korean commentators who observed that many have shifted their attention to the groups of domestic idols with stronger voices and performance capacity. According to reports, these groups are gaining enormous traction on platforms such as Twitter, also overcoming K-Pop idols in the votes of global fans.
The post also hypothesizes the strong decline of k-pop music videos in recent years. Where 100 million views were once the reference point for a K-Pop success, the most recent videos have difficulty exceeding 20-30 million, while the artists of Southeast Asia, benefiting from great domestic populations, often see higher numbers.
Many commentators have expressed disillusionment with the current state of K-Pop and Korean entertainment, indicating a decline in vocal standards, the lack of live shows and the excessive way on the fans’ service and on the influencer-style content.
Comments on Theqoo:
- After Hybe, the bad reality that I had only vaguely perceived came to light and I lost interest. Add to this the lack of live performances: they are also in the process of stopping fandom.
- It is true that the targeting of the markets abroad is counter -configuration … but the idols are gaining more than ever.
- People continue to say that K-Pop is dying, but they certainly care a lot.
- Voices continue to obtain more average with each generation. Now they feel as an influencer, publishing shorts and making a fan service.
- Stop hiding how good Chinese dramas are, recommended! I have no prejudice, so if it is fun, I will look. But I tried some based on the advice and I usually stop after episode one. There are probably less than five that I have seen to the end. Many in the comments agree that both the Korean dramas and the K-pops need serious reflection. Repeating the safe formulas could maintain stable things, but it is also making them increasingly boring. Fresh and bold innovation is needed, but it depends heavily on younger generations. And in Korea, the downy population already suggests a loss of vitality and creativity in the near future.
In conclusion, while K-Pop and Korean entertainment remain influential globally, an growing number of fans is expressing concerns about stagnation, excessive marketing and the decline of artistic quality. To maintain its cultural impact, many believe that K-Pop must evolve beyond formulaic approaches and reinvest in authenticity, innovation and genuine talent.
